Showing posts with label Horror movies. Show all posts
Showing posts with label Horror movies. Show all posts

Tuesday, December 2, 2014

Wrapping It Up: October

Another month, another wrap-up post full of this month's viewings. Let us get on to the movies of this month...

October



Saving Private Ryan(1998)(Re-watch): I have seen this one quite a few times already but this was probably the longest between my two watches. It is one of those movies that every time I see, I find someone knew I didn't know was in this film. This time it was Paul Giamatti who I completely forgot was in it. But it still awes me as much it did the first time I saw it. Yes, it's little too on the nose sometimes, like that ending, but that's Spielberg for you. And there is more than enough pathos in it to help me turn a blind eye towards such moments. And it makes me want to see The Thin Red Line(1998) again even more.



Haider(2014)(Hindi): Third installment of Vishal Bharadwaj's Shakespeare adaptations trilogy. What Bharadwaj has succeeded in doing in this trilogy is translate these stories beautifully to Indian backgrounds while keeping Shakespearean core of each intact. Bismil song in this film which replaces play in Hamlet, re-enacting his father's death, is prime example of this. He has achieved same effect with something intrinsically Indian and, if you ask me, that was easily the best part of the whole film. Bharadwaj has always been one of my favorite Indian directors and he once again demonstrates why.

Infernal Affairs(2002): The Departed(2006) is one of my favourite films. If I am not wrong, it was my first Scorsese film and still remains to be the best piece of ensemble acting I have seen. Infernal Affairs had been on my watch list since knowing Scorsese adapted his film from this one. Now I can see that The Departed had a solid base to build on. This one here is very smart film. It is relentless and equally well acted. However, best thing I can say about it is it's still an exhilarating watch despite knowing what's coming next.

La Haine(1995): Have you ever had a lingering feeling that something terrible is going to happen? You keep on thinking it's about to for a long time and it never does and then you let your guard fall for a second and it hits you right then. That was me watching La Haine. Given the way it starts, at every turn I kept expecting something terrible to befall. It never did, not really and just when I thought nothing would happen now - BOOM! It's such a beautiful film though - B&W, episodic, great flow, very natural acting, little abstract but always palpable.



Nowhere in Africa(2001): This is one of those films that if it had not won Foreign film Oscar, forget about watching it, I wouldn't have even known about this. I don't know about how it was received in 2001 but if feels like a kind of movie that not many people would know about. My first impression of this film was this is sort of Out of Africa(1985), because it is based in Africa, + Days of Heaven(1978) because of look and feel of this film. Only difference is I was indifferent at best towards either of these films and I liked this one quite a bit.

City Lights(2014)(Hindi): Not to be confused with Chaplin classic, this is a Hindi movie released earlier this year with same name. I saw this after watching Shahid(2012) last month which was first collaboration of actor-director combo of Rajkumar Rao and Hansal Mehta and was very much revered critically as well. It reminded me of Babel(2006) because just like it, nothing remotely nice happens to anyone in this film. As a movie lover, I can appreciate it on many levels but it really gets overbearing after a while. I don't think I'll came back to it anytime soon.

Dracula(1931): As has been my tradition, if you can call something I have done twice in a row a tradition, I chose a classic horror as this month's blind spot entry in honor of Halloween. This might come as a surprise but I have been mostly uninitialized to this piece of classic literature. There must be countless versions of it now but I have seen Nosferatu(1922) and that is as far as my initiation to this world goes. And what could be better place to start than this classic. What I can say is for a film made in 1931, it works remarkably well today.

A Most Wanted Man(2014): Since last year, I was very interested in watching this film just based on political nature of its plot and I am very glad that it didn't disappoint. If you don't like political thrillers you might find this one sleep inducing because this is a sort of film that runs on single speed, never picks up except in the end. But they have always interested me. And it still hurts to see PSH on screen, even more so because he is amazing in this film. The way he just lets it go in the last seen is really something, especially since he is so controlled otherwise.


The Last Temptation of Christ(1988): This was first of 3 films almost three hour long films I saw in a week. Other two were 2 films right below. Curious thing with Last Temptation is on one hand, I am really intrigued by the path it takes after Jesus' crucifixion(I am guessing that is where all the controversy surrounding it was). And on the other, other biblical aspects of his life - him turning water into wine, resurrecting dead person - really turned me off. And at the risk of starting another controversy, I don't think I would've like him at that time. He was too ostentatious.

Spartacus(1960): This was another example of a film that I would be much more in love with had it been about an hour less in run time. I was never bored while watching it, on the other hand I appreciate quite a few things in it, but I seriously cannot comprehend why does it had to be as long as it was. There really was not enough content in it to justify that length. I know Kubrick was just a for-hire vehicle here but I have this problem with some of his most acclaimed works as well - they are almost twice as long as they have any business to be.

Heaven's Gate(1980): One of the notoriously famous film for all the wrong reasons. I didn't really like it much but I found it to be better than I expected based on its status as one of the worst flops of cinema. I might sound like a broken record here but my biggest problem with this was it's run time. Any film with a run time 0f over 200 minutes will have its dull period but in this case, it was almost first full hour where I was never sure of what the hell is happening. It sort of picks up later on but damage is already done. 

King Kong(1933): Just like Dracula above, I think this also works remarkably well for a film made in 31. Early in the film King Kong looks like created from animations we did as kids - flipping through pages a of book very fast but it settled as movie went along. I had seen Peter Jackson version before so I had some idea of what whole thing was. However, King Kong here is much more plain villain. You feel quite sad for him in Jackson version. Plus, Denham is much more of an asshole in that version. Here I can defend him pretty much all the way through.

Nightmare on Elm Street(1984): For the past three years, I have been making some effort to acquaint myself with some of the horror films prevalent in pop culture. You can safely assume that I don't watch horror films for the rest of the year. So in October, I spend some time with them for Halloween. This was my first exposure to Freddy's world and I have to say that despite being very '80s, which in my case is not the best thing you want to be, I quite enjoyed this. I may not run to it but I think I'll be down for another trip down this lane.

Thor 2: The Dark World(2013): I always feel that Thor is the most neglected superhero of Marvel universe. Maybe that goes somewhere in the back of my mind as well because I had very less expectations of this one despite Thor(2011) being one of the better superhero films of recent years. Thor 2 exceeded my expectations as well. Now, it's not doing anything extra ordinary here. I guess rather than what it does, more important is what it does not do. It doesn't overdo anything and that made it very enjoyable to me.

The Great Beauty(2013): It could be the time and place I saw this film at but I went through a lot of conflicting emotions while watching this film. On one hand, there were moments in this film that I could really connect with while on the other I felt it too opulent, too frivolous and vacuous. But Jep Gambardella knows this very well; in fact showing how empty their lives are is the main point of this film and it does so eloquently. Knowing all this I should appreciate it a lot but then again, I had to fight to keep my eyes open the whole time.







Night Moves(2014): I think I can take slow movies. Or maybe I should say they don't bore me just because they are slow. I have seen and enjoyed a few to confirm. I understand that keeping your patience with it and still be able to appreciate it can be difficult but I can appreciate a movie taking its time to say what it wants to say. In this case, however, I wasn't sure what it was trying to say or it lost somewhere in the way that I didn't really care where was it going. Either way, not a movie I can say I liked for what it is. 

Army of Darkness(1992): Last of the horror movies I saw this month and unfortunately the worst one. I can appreciate self deprecating aspects of it because it would have been almost impossible to take it seriously but it was little too out there; too much of rolling the eyes. The way it makes fun of itself or jabs at many horror tropes etc. kept it interesting but there was only so much of it I could bare. I think I would have liked this more as a pure comedy than horror+comedy. Still, not the worst horror film I have seen.

A Christmas Story(1983): This is one of those movies I never would've seen, forget seeing - I never would've known, had it not been in IMDb top 250 list(Spare me your highbrow frown. Yes, I still do watch films just because they are in this list. I only have 6 more to see and I would like to say I've seen them all soon). If I had seen it a child, I think this has all the ingredients to be my favourite film. It's really sweet and cute but to tell you the truth now, with its language and looks and stupid voice-over throughout, it is too kiddies stuff.



Lucy(2014): I heard so many good things about this film that one of my major regrets in the past few months was I missed this film during its theatrical run. By luck, I got a chance to correct that but now I so wish I hadn't. This was a colossal waste of time, money and anything else that I cared to invest in it. I didn't expect much from Besson anyways but this is one of the stupidest, consistently over the top films I have seen in a long time. Even just 90 minutes of this film felt like an eternity.

Total Count: 19. 18 First Time Watches and 1 Re-watch .

2014 YTD Count
Total Count: 170. 160 First Time Watches and 10 Re-watches.

So, how was your month? Did you see anything interesting? What do you think of the movies I saw? Any favorites?

Saturday, December 14, 2013

Announcing 2014 Blind Spot Entries


Around Christmas, I will post my entry for this month's Blind Spot and with that 2013 Blind Spot Series will come to a conclusion. Blind Spot series is designed to motivate us into scratching off the names from our to-watch lists. We do that with every film we watch but these are meant to be those big, glaring omissions that are certain to attract some stares if you admit not having seen them in public. At this time of the year last year, I was little skeptical about being a part of it because first of all, there are just too many of them and secondly if I did participate, I wanted to take it seriously and look at the finish line. I am happy that I am at least looking at it now but as usual, others are way ahead of me. Most others have already published next year's entries. I might be lagging but I ain't a quitter! This is what I intend to check off for this series in 2014.


Off course in compliance with my OCD, movies are spread almost evenly over the time period ranging from silent era to contemporaries. 2 silents, 1 Halloween special, 1 previous Best Picture winner, 4 foreign films and one Satyajit Ray as a bonus should hopefully give me a lot of variety. Majority of the movies I saw this year were for their directors. I ventured into Tarkovskiy territory for the very first time and will encounter Ozu in December, went deeper into Kubrick and Bergamn filmography. I see the trend continuing next year as well with likes of Scorsese, Coppola and Bunuel but there are few here I have included based on their own accord. Biggest change from this year, however, would be me abandoning the question-answer format I used this year for these posts. I think I am about ready to do straight up posts for them. We'll see how that goes!

This year was a great hit considering that I ended up loving almost all the movies I saw for this list. I really don't like writing negative reviews so I really hope next year will be the same. Huge thanks to Ryan McNeil for organizing this, compiling the links every month and championing it throughout the year. I hope to be at the finish line this time next year as well. 

Thursday, October 31, 2013

Wrapping It Up: October

Another month, another wrap-up post full of this month's viewings. Did you see I have added one more tab in Menu bar at the top? Features! Even though I don't have any defined schedule for any of my features, I call them semi-regular for a reason, I have been slowly adding entries into them over the past year. I think it is time they get their own space now. I am thinking about starting another feature very soon as well and when I do, you'll be able to see it there too. Please take a look and let me know how it looks. With that, why don't we just get to the wrap up of this month?

October

Close-Up(1990): Like everyone else, I have been fascinated with Iranian cinema for a while, especially after Mark Cousins talking extensively about them but I finally got to them very recently. Actual premise of it was surely chief selling point of it but I loved the execution of it as well. Actual people re-enacting their own parts, him filming during the actual trial is all fascinating but what I love the most about it was Kiarostami's camera staying away from making any judgements. It is amazing to see those moments unadulterated.

Sunshine(2007): My favourite Danny Boyle so far and I have seen most of his acclaimed works. That sure means I like Sunshine a lot but it also means that I don't like some of his other 'revered' movies as much. I like the way it takes you right into the action immediately and never leaves from there. I am not sure about the math of those last 19 hours or about the motivation of the antagonist but I loved everything up to that point and I am going to give it a chance again before passing any judgement on the last third.

True Romance(1993): I haven't seen a whole lot of Tony Scott movies but from this has a much more Tarantino vibe to it than anything else. All the violence, swearing and even the overall style of the film definitely is from QT school of film making. I kind of guessed where this this movie will go and it did, right down to the tee but 'How' it reaches there was so much more interesting than 'where'. Just like any of his other films. And what a cast! What A Cast!! There are so many of great actors that pop up, do their part and die but ss good as Slater and Arquette are, they are the ones keeping this movie interesting.

Frankenstein(1931): This month's Halloween special blind spot. I don't think you can do much better than a classic iconic horror movie for Halloween. But after watching it, I also don't think you can do much better than Frankenstein. It is a classic that not only holds up really well but I think is even more relevant today than it was when they made it. And it holds up not only story-wise but even production wise. I was very pleasantly surprised to see how unlike any other film I have seen from that period it was.

State of Play(2009)(Re-watch): I won't go as far as calling this am underrated masterpiece or anything but I do think it is an underrated movie. Even back in 2009 when I first saw it, I felt like being thrown into thick of it from the very first shot. In first half hour, our plate is full with political conspiracies, human drama and multiple other issues is just glosses over and then it goes stagnant for quite some time.When it picks up, however, it does make it worth your time, especially the subtle twists in the last few minutes. Even though in general I do love political thrillers, those last 15-20 minutes reminded me of why I like this one.

Stray Dog(1949): Another one of gems from Kurosawa. This is 17th Kurosawa film I have seen and the more I watch, the more I believe that this guy never made a bad film. Most of his films early in his career that is pre-Rashomon(1950) are probably unknown to us but 5 films I saw from that period, including this one, are as good, if not better than many, as any of his post work. Except for the soldier with PTSD angle, the way Yusa's story unfolds reminds me of classic Bollywood and I mean it in the most admiring way because classic Bollywood produced a lot of meaningful cinema. This would still be one of the best though.






The Player(1992): Before going in, all I knew about it was it's filled with Hollywood inside jokes and off course, that glorious opening long shot. Even though that is absolutely true and I loved that, best part of it was it wasn't just content with being a farce on Hollywood. It had such an interesting and strong narrative of it's own that it easily could have done without all that. The end kind of rubbed me in the wrong way but I have to admit, watching who's who pop up out of nowhere was so much fun.

Stoker(2013): Did anyone else find it strange that her name is India? I mean, I wasn't bothered but it was just weird I Guess. It's a typical park film, dark and eerie with cold, whimsical characters. Kept reminding me of his own Thirst(2009) because I was even expecting him to reveal they are vampires at one point. Beautifully shot and sound editing really caught my ear. Wasikowska was great, Goode was very creepy. I was able to forecast quite a bit of it but it still kept me interested. I am not sure why would she go after Sheriff in the end though?

The Changeling(1980): I did not see many but this is one of the horror movies I saw for this month of Halloween. My pull for this movie was to watch George C. Scott in one of his post-Patton(1970) roles but I found more to like here than that. As Steve said in the comments of this post, I love the minimalistic approach of this movie. Not only Horror elements of it are still believable, I like how it takes its time developing the story and even making some sense of it away from them.

The White Ribbon(2009): In a typical Haneke fashion, I know that I have seen this movie now but I am not sure if I have understood it. The note on which it ends kind of left me with a feeling that few strange things did happen but what's the big deal? since (Possible Spoiler!) nobody ever knew what actually happened or who did it? It sort of feels like cheating but knowing Haneke, that might be the exact thing he was going for. You never know! It sure kept me into it for whole two and half hours though.

Winter Light(1962): Second of the Bergman's Silence Trilogy. I think you have to be in a certain mindset to sit down and watch his films. I wasn't but I still had a very typical Bergman reaction to it. In a way that I did like in parts but I don't think I have understood it enough or could relate to most of it enough to actually pass any definitive judgements about it. It is still a mystery to me. All I can say is it definitely isn't one of his more accessible films and I definitely like the first one, Through a Glass Darkly(1961), better.







All the King's Men(1949): There is absolutely nothing I can fault this film for actually. It had a decent script, Crawford, McCambridge and even Joanne Dru were really good in their roles and it held its banners high almost throughout. It's just that I've seen too many films that follow the same trajectory for any character to make me care for them any more and it followed that trajectory point by point. My only real disappointment was John Ireland who was so stoic, he reminded me of Tobey McGuire and that is never a good thing.

Bringing Up Baby(1938): I don't like slapsticks. I know this is not any slapstick but 'the' slapstick film but believe me, this is best I can do. Because of Katherine Hepburn, I was warming up to it a bit. I don't think it is coincidental that only two slapstick movies I can stand star her. If not for that police station sequence in the end, I might have rated it little higher but that brought me back to my usual reaction while watching them: repeating 'Why the hell are they doing this?' through my teeth while stomping my feet and clenching my fists. 

The Ice Storm(1997): After going through a bit of good streak, this is second Ang Lee movie in a row that has left me kind of underwhelmed. The adult drama and their issues of infidelity made quite sense and I think I would've liked it more if it was just about that. But I wasn't sold on any of the kid's storylines. I am not even sure about why was it set in 1973 as except for the couple of Nixon references, which it could have done without, I don't think there was anything specific to the time period. If there was, it went completely unnoticed by me.

A Man for All Seasons(1966): I have absolutely no idea what to say about this movie. This is my 64th Best Picture Winner of 86 so far and there certainly have been worse films than this one to win that award. There are a couple of good preformances and script mostly concentrates on the issue at hand but this film is so vapid that I am finding it difficult to accept this as the best of the year despite knowing very well that Oscar is far from being synonymous with best. You better get used to that because I have a feeling at least 12 of remaining 22 will also fall in line.

Mission: Impossible III(2006)(Re-watch): It is certainly not MI-1 or even 4 but it is not 2 either. What an epiphany, right? Well the thing is until I am watching one of first 3 MI movies, they all blend into each other for me. When I catch them somewhere, I remember them vividly enough. I can distinguish the fourth because it is latest and I still remember watching it in the theater. In the not-so-vivid moments, this is the one with Philip Seymour Hoffman in Vatican. That's it!

A Passage to India(1984): I feel bad about talking down the last film of one of the Great directors but this film probably commits the biggest crime any film can - it lacks any ambition. I heard someone describe David Lean's last film as a drawing on a vast canvas with tiny strokes and that might be the best way to describe it. In its setting, in scope it has potential to be that epic Lean knows how to deliver but it's story, characters and even it's execution continually fails it. I don't think there are many films I feel so apathetic about every character in it.







The Peacemakers(1997): Pretty standard, run of the mill political action thriller. It is so run-of-the-mill that I probably shouldn't even use the word thriller about it. What's so thrilling about the routine, right? It is so run-of the mill that it didn't need talented people like Nicole Kidman and George Clooney even though it was before they became George Clooney and Nicole Kidman. And the worst thing is they didn't even look at each other romantically. What's use of having two of the most beautiful and handsome people on earth in a film and doing nothing? That's a wastin'!

Snakes on a Plane(2006): The shit you watch on TV! But I will be perfectly honest here. It was way better than I expected. Off course, I expected it to be some kind of horror B-movie shitfest. So topping it wasn't that difficult but I have to give the credit, however little, where it is due. As ridiculous it sounds from outside, oh! it is ridiculous in many aspects, it had few genuine moments in it. What else do you want? It IS a B-grade thriller with Samuel Jackson after all.

Suspiria(1977): Every so often, you wait to watch certain classic for a log time and when you get to them, you never understand what it made it such a classic? Well, I certainly 'understand' what made Suspiria such a classic. I just don't think it is deserving of such a title. There are multiple problems with the story, acting is too loud, direction takes it on the path that I don't really care about. Sure it 'Looks' pretty and incessant soundtrack does something but I don't think that makes for a classic.

2 Fast 2 Furious(2003): Yup. Never seen it before. I might be rating it just 2 and 1/2 stars, which is actually quite low by my standards but I quite enjoyed it. Real trick, once again, is not expecting anything. I wasn't expecting story to make any sense or even to exist, for any characters to root for or developing some sort of structure or anything really. I knew it would dumb, fun, action movie and it was just that. What can I complain about then?

Total Count: 21. 19 First Time Watches and 2 Re-watches .

2013 YTD Count
Total Count: 218. 199 First Time Watches and 19 Re-watches.

It wasn't as happening month of Halloween as last year but I did manage to watch some horror films, including the Blind Spot entry. Apart from that, there is Diwali coming up next week and right after Diwali, I am starting a new job. I don't know if it will affect my blogging in any way yet. I don't think it will drastically, at least immediately, but I will keep you posted as even I just will have to wait and see.

So, how was your month? Did you see anything interesting? What do you think of the movies I saw? Any favorites?
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