According to Wikipedia,
Wu-Xia means Martial hero and is a broad genre of Chinese fiction concerning
the adventures of martial artists. These movies usually feature much stylised
fights and rely heavily on wire-work. Not all of them do, off course, because I
think technically, even The 36th Chamber of Shaolin(1978) and
Snake in the Eagle’s Shadow(1978) should also count as Wu-Xia films but
most of my limited sample set do. I have always had problems with wire work.
Since I was a teenager, I’ve loved Jackie Chan’s films for the fact that he
does all his stunts on his own; every single one of them. Now I don’t expect
everyone to break all the bones in your body but I look for some level of
realism even in stylised fights as in Wu-Xia films. Flying at the top of the
roofs doesn’t come under my definition of it and this is where my tryst with
these films starts. More often than not, it hinders my enjoyment of the movie.
However I also must admit that there are very few Wu-Xia films that I have seen
from start to finish in one attempt. So it is possible that I have made up my
opinion on these movies without giving them a fair chance. Now that is never a
good thing for any cinephile and hence I decided to remedy this by
choosing three of the most popular and most acclaimed Wu-Xia movies in the last
few years to litmus test them. If none of them charm me, I guess I’ll have to
accept that it is just ‘not for me’.
Rating(out of 5):
First one I went for was director Yimou Zhang’s Hero(2002).
After first few minutes of this movie, I realized I had seen this before but as
I have mentioned above, there are many I have seen in parts. So I still watched
it again just to confirm I have seen all of it. My first impression was, it is beautifully
shot but extremely stylized and heavily wired. Very first fight between the mighty
warrior and Sky within first 10 minutes of this movie is everything I don’t
like about these movies. At one point, two warriors even fight with each other
in their minds(WHAT?). Every single fight in the movie plays out in similar
fashion but the worst culprit was the fight between Maggie Cheung and Zhang
Ziyi. That was almost like a joke I was supposed to laugh at but didn’t even
bother to. It had rather melodramatic story but it still works. It has a great
cast – Jet Li, Maggie Cheung, Tony Leung, Zhang Ziyi; probably all the traditional
Chinese actors I can recognize by their faces and I can’t find anything to
fault at their acting either. It is a little bit towards louder side than we
are used to see in other western movies but having seen few more Chinese films,
I know that is something that comes with the territory. I will even defend it,
just like I’ll always defend songs in Indian films.
But it was the execution of it that ruined it for
me; too heavy-handed for my test. It reminded me of The Fall(2006) –
beautiful to look at, a couple of good performances but heavily flawed in the
execution, though Hero at least has a much better story. It takes many
dramatic turns in the second half to almost redeem itself and for that I am
willing to it give it an extra star in my rating. If you don’t have a problem
with wire work, with people flying at each other and walking on water etc., there
is a good chance you might even end up liking it. From there, I went to what
might be the most well-known Wu-Xia film to the outside world, Ang Lee’s Oscar
winning Crouching Tiger, Hidden Dragon(2000). Again very first fight
between Michelle Yeoh and Zhang Ziyi, though Yeoh doesn’t recognize her yet, is
a curious specimen. It features heavy wire-work but when they are not flying on
the roof tops or climbing over the walls, their fight shows a great technique,
rhythm and pace i.e exactly what I like in these movies and it is shot
beautifully. Soon it turned out to be a formula and I loved every bit of their
fights when they weren’t flying. I still reserve my judgement on all the wire-work though.
With the help of good choreography and neat
editing, one on one fights can have amazing flow and easily become spectacular
without any high-flying; another case in point is Yeoh and Ziyi’s fight in
Yeoh’s house which to me is any day better than Ziyi fighting in the tea house
or Chow and Ziyi atop Bamboo trees. Initially, I wasn’t sure about Ziyi’s
background in the film; even the dynamics between Governor Yu and Sir Te wasn’t clear and it
was little confusing to follow all the events but slowly everything became
clear. Crouching Tiger, Hidden Dragon has an incredibly complex and
layered story and that probably is the reason it is revered all over. That
certainly made it the best of three I saw for this post. At its soul, very much
like any Chinese movie I have seen but still like nothing like I have seen
before. Almost everyone plays their parts well but Michelle Yeoh was a standout
in her very subdued, controlled demeanour. Zhang Ziyi shines equally in her
role but it is a flashy role. Ang Lee probably could have cut off the whole Jen
and Lo sub plot, or at least their flashback sequence since it didn’t add much to
the bigger picture or at least edit it. Flashback let it loosen the grip on me
and everything from that point drifted a little; I still haven’t understood the
ending properly.
Third and final stop of this journey was House of Flying Daggers(2004). Exquisite, lavish sets, beautiful costumes
and breathtaking cinematography should be the first thing anyone would notice
in this movie. Yimou Zhang once again proves that he was a photographer before
with his images. But to tell you the truth, there is very little to mention
that I haven’t already said besides that. Don’t get me wrong, just let me
explain. This is second Yimou Zhang movie I saw in very close proximity, after Hero
and my opinion of both the movies is very similar. In both cases, my main
problem is egregious fighting sequences, defying all the laws of physics.
Otherwise both the movies have great cast, good acting, decent story and
stunning cinematography. Just like the former, House of Flying Daggers
takes lot of turns in second half, many of which though worthy of a Bollywood
masala movie, which help somewhat redeem itself from all the over-the-top action of
the first half. It also featured Ziyi’s finest performance of the three.
To go back to why I started this entire circus, did
I change my opinion about Wu-Xia films? My main problem with them has to do
with wirework and still stand by my judgement. I still don’t like it. I didn’t
like flying on the top of the roofs or fighting in each other’s mind or daggers
like Jolie’s phantom bullet in Wanted(2008). But after these three films,
I will also admit learning that it is not Just high-flying in them, there is much more to
these movies beyond that and in some cases, they are even worth it despite all
the antics. I am willing to check out few more and we can say that after all,
not everything was in vain.
Rating(out of 5):
Hero Crouching
Tiger, Hidden Dragon
The House of
Flying Daggers
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