Showing posts with label Hayao Miyazaki. Show all posts
Showing posts with label Hayao Miyazaki. Show all posts

Monday, September 30, 2013

Wrapping it up: September

Another month, another wrap-up post full of this month's viewings. As you will go down to the list of movies I saw this month, don't be surprised to see a lot of very high rated movies. I mean, it does happen usually but now even more than usual. Because just before leaving States, I bought myself a stock and by stock I mean more than 150 films. Off course, most of these films are the ones I wanted to see either because of the mass appeal or critical acclaim. So for the next few months, don't be surprised if you see a lot of great first-timers for me. Just warning you. So lets get to it then.

September






Broadcast News(1987): For some reason.... no, scratch that. For many reasons I felt like I haven't felt while watching any movie in quite a while and it is such a great feeling. Within first half hour, I was beaming with smile about everything in it and I knew that I was going to like this movie right then and there. Now, after having seen it, I know I was right. I know that I am going to watch it again and again many times and I feel like I will have something more to like in it every time I watch it. It is such a personal, such a beautiful film. I am cursing myself for not having seen it sooner.







The Hunt(2013): Once again, it's Mads Mikkelsen reigns Supreme but there is so much more to admire about this film. When I heard about the topic, my biggest worry was how would they justify a 5 year old talking about something like this and yes, they handled it really well. I think the reason this story works so well is at no point, it tries to pin someone down. There are many characters in this film that do horrible things but every single one of them has a solid reason to do so and in their shoes, they are absolutely right about it. It's amazing how things turn out some time. And I LOVE the note it ends on. It's SO perfect.

Zombieland(2009)(Re-watch): From its narrative approach to its stylistic elements, from making a zombie comedy to calling the characters by the city names, there is so much in it that just should not have worked but this movie is still such a delight. I love Emma Stone and can watch pretty much anything she is in but she is absolutely perfect in that role and so is Abigail Breslin. Eisenberg can be little annoying but that is exactly why his character works. But Woody Harrelson has to be the biggest delight of this perfect cast. He is pure fun to watch.

The Conjuring(2013): Typically, I am not a Horror fan but I tries this because of the high praise from various bloggers and I have to say they were right. Total scenario of this film is pretty basic but it wins in the execution. What it does right is, like many other horror films, it didn't try to startle the viewer. It was actually scaring me. Every time you see something scary, it is kind of introduced for a second first and then it goes to its full scale horror. So you know something is going to hit you but then it hits you and hits hard!!

Sweet Smell of Success(1957): Tony Curtis' slimy, disgusting press agent is probably the biggest spectacle on screen. But from the acting POV, I was leaning more towards relentlessly unscrupulous Lancaster for one reason - I absolutely despised Falco; I know I am supposed to but we are supposed to hate Hunsecker as well and I didn't. I was more fascinated by the length he was ready to go to. This one further cements my belief of 1957 as the Best year in cinematic history. I already have 9 extremely solid entries from this year and this one takes it into double digits.

Nausicaa of the Valley of the Wind(1984): It is so apt that success of this film resulted in the formation of Studio Ghibli because this movie is everything you ever expected from a Ghibli movie. As I said in the Miyazaki Profile post, it is as if this is a Test case for everything we have now come to expect from Miyazaki and Studio Ghibli films(young but dynamic female protagonist, initially threatening but redeemable antagonist, strong environmentalist vibe) and it is astonishing how wonderfully well it works even after 30 years of its release.

The Dark Knight Rises(2012)(Re-watch): My first viewing since I saw it in the theaters. Michael Caine and Anne Hathaway are still awesome, Bane's voice wasn't that much of a distraction anymore (but that could be subtitles). Many little things in the story make a little more sense this time but there are still few things that I could have done without. But the biggest thing that hasn't changed is I still don't give a shit if it is the worst film in the whole world (It's not, by leagues). I Love It! Deal with it.

The Silent Duel(1949): I remember watching High and Low(1963) a little over a year ago. That was my first Kurosawa film not set in the Samurai period. I already recognised him as one of the greatest directors ever but this opened a whole different avenue for me. I have seen many films set in contemporary period now and Kurosawa has almost never disappointed me yet. As for this film, it was very different to watch otherwise very animated Toshiro Mifune being the quiet, reserved person but he sure made it worth it.

From Here to Eternity(1953): I am slowly going through Best Picture winners that I haven't seen yet. I know 3 or 4 that I am looking forward to but most of the rest feel like Homework. So it is always great to see a surprise package like this making this homework worth it. Gentleman's Agreement(1947) did something similar last year. It had a great cast with everyone doing a notable jobs in their roles but once again, Burt Lancaster made me notice him. Either he knew how to choose a meatier role or he knew a knack to make them meatier. Either way, its commendable.

In the Name of the Father(1993): I have seen my fair share of IRA related movies and in some ways or the rather, every one of them has moved me; even outraged me. But I don't think I have felt anything this much. If we are comparing two films, I will say Hunger(2008) is a better movie but even that didn't feel so much. And as great as Daniel Day-Lewis is in this film(and I think he is even better than his Oscar-winning performance in My Left Foot(1989)), it was Pete Postlethwaite who was scene-stealer. My heart went out to him every time he was on screen.






The Searchers(1956): Movie that has been referred as 'The Best Western made ever' was this month's Blind Spot Entry. I don't know much about westerns but I think I will prefer couple of others I have seen over this. Racism involved in it has probably been the most talked about topic in this and if you read here, I have tried to weigh in as well. It may look like I am supporting racism in it but what I wanted to say was he might be trying to show us how people used to think then. I am no Ford expert but I won't find him guilty yet either.

A Man and a Woman(1966): Reminded me of One Fine Day(1996). I have had troubled relationship with French 'New Wave-y' films. I think of most of them as gimmicks that may or may not work for anyone. I am not sure if this counts as a new wave film but if it does, it is probably the one I liked most. There are still many gimmicks in it that I don't think are necessarily needed but most of them worked for me. Aimee Anouk is yet another in the line of many stunning beauties in French films but yet again, she was able to support it with her very mature performance.

Whisper of the Heart(1995): There are many films under the banner of Studio Ghibli but are not directed by Miyazaki that I haven't seen. Even though he did not direct it, he did work on the screenplay and it is such a sweet film. There is no fantasy element in it but once again, it is a coming of age story of a young girl who challenges herself to prove her worth. I would have rated it even higher but I had few problems with middle school students confessing their love and proposing to each other. 







In the Heat of the Night(1967): Yet another Best Picture winner of the list. Both Sidney Poitier and Rod Steiger were stellar in their performances and the mystery of the killer kept me engaged. But looking at the basic plot, I expected the stakes to be higher and I can't shake off the feeling that they played it too safe. Though it never was superficial, screenplay looked like it was caught in two minds whether to concentrate more on Racism or on murder investigation at hand and in the process, couldn't get deeper into neither.

Somewhere(2010): One of the topics that I have often wondered about is should we allow an ending to ruin the whole movie experience? I have often been guilty of it myself but I swear, I try not to. It's just that sometimes it's not possible, like in this case. I LOVED Elle Fanning in this, I loved the way it portrayed their loneliness. You could see that in their eyes even in the moments they are enjoying the most, knowing that this is ephemeral. But that ending has left such a bad taste in my mouth.

The Castle of Cagliostro(1979): Hayao Miyazaki has made himself quite a reputation in the past few decades. This is the first film he ever directed and in a grand tradition of my Profiles posts, it was the last of his films I saw. It's a good film but the thing is Miyazaki directed it and now, that we know him so well, I've come to expect certain things from his film and it's nothing like that. Does that make it a bad film? Definitely not but it definitely would've been better with his signature traits.

The Hobbit: An Unexpected Journey(2012)(Re-watch): I LOVE LOTR and I really want to like this too. I even like a lot of things about this film but I still don't understand why Peter Jackson had to add so many extraneous bits to it. I had the same problem when I saw it first, I was wondering same thing this time as well and they won't go away until next two movies come out and give those characters a valid reason to belong where none of them do. Please, Peter Jackson. Help me like you!







Hulk(2003): I have always been confused about which of the two Hulk movies is directed by Ang Lee. After watching this, I was almost sure it was the other one. I have only seen half of his films but this has got to be the least favourite, by far. Pairing of Eric Bana and Jennifer Connelly is probably the best thing about this film and it actually works pretty well as well. Lee's direction isn't bad but it isn't anything notable either and that rarely happens. Even script lacked the punch and end result proved lackluster at best. 

The Incredible Hulk(2008): If the Bana-Connelly pair was the best thing about Lee's Hulk, Edward Norton - Liv Tyler pairing was the worst thing about this Hulk. Not that everything else is any better but Liv Tyler's rigidness makes them look Oscar-worthy. I usually like Norton but even he is very monotonous here. Idea of giving Hulk an adversary by making yet another but evil Hulk is such a washed-up trick. Maybe they could have saved it by executing it better but it just consistently goes over the top. Maybe he was lesser of all evils but I kind of liked Tim Roth.

The Lost World: Jurassic Park II(1997): I might have seen it in parts before but it definitely was my first viewing from start to end. I don't know how I didn't see it before but now that I have seen it I am wondering what made me sit down and watch it this time? At least once the two teams get together and shit hits the fan, things got somewhat better. It was otherwise so bland, so predictable. Even the way the scenes were set up was a clear indication of whats to come next. That's lazy!

Total Count: 20. 17 First Time Watches and 3 Re-watches .

2013 YTD Count
Total Count: 197. 180 First Time Watches and 17 Re-watches.

So, how was your month? Did you see anything interesting? What do you think of the movies I saw? Any favorites?

Friday, September 20, 2013

Profile of a Director: Hayao Miyazaki

Earlier this month, Hayao Miyazaki took the stage at the Venice Film Festival after the screening of his latest film The Wind Rises(2013) to announce his retirement. Miyazaki is no stranger to retirements; he was in a semi-retirement after Princess Mononoke(1997) but then returned with wonderful and his most successful film, Spirited Away(2001) then back into retirement only to resurface in 2004. However this time he says he is serious. Only time will tell us if he is but if at all he is, that is indeed a sad news, especially for someone like me who has always been in love with his films and Studio Ghibli for many years. Miyazaki is one of the most well-known and respected directors in the world of animation and has left his unmistakable print on the medium in more than three decades of his career as a director. I am taking this opportunity to look back on his career, in the usual style of these posts, with the help of every film he has directed. Let me make few things clear first; this is a profile of a ‘Director’. So I am only looking at the films he directed and I am looking at only his feature films. I would’ve loved to include his shorts as well as they are just as wonderful but I just couldn’t get hold of all of them. With that, let’s get right into it.

The Castle of Cagliostro(1979): Miyazaki had been working in various departments of an animated studio for almost two decades. He even had directed episodes of couple of TV serials but this marks the first time he put on the director’s cap for a feature film. Coincidentally, this was the last of his films I saw. As a film, there is nothing quite wrong with it per say. This is actually quite a decent film; albeit a little amateurish in both story as well as in animation. It’s just that it is such an odd-man-out from Miyazaki’s filmography. Every film he did since then contains many very specific things that everyone now kind of expects from any Miyazaki film, or any Ghibli film in general, and Cagliostro is void of every single one of them. These traits definitely make his films richer in context and more layered and the lack of them doesn’t necessarily imply inferiority but it is kind of distracting, especially when you know the director so well. Grade: B.

Nausicaa of the Valley of the Wind(1984): Success of this film made way for creation of Studio Ghibli next year. Even though this wasn’t under studio’s banner, it fits perfectly into that cannon. We have Nausicaa, a young, dynamic female protagonist that loves everything in the world she lives in and as bad the things get, has a confidence that it can still be saved and does everything she can to save it. We have Kushana, an antagonist to start with but with redeeming qualities and Asbel, Nausicaa’s male counterpart who helps her in getting the things right. Story is strongly influenced by Japanese philosophy and motifs like commercial greed and their disastrous effects on the environment play very important part in it. It can be very warm and fuzzy when needed but also gets very dark as the things get worse. In a way, it was a test case for everything we know Studio Ghibli for now as all these features play very important part in every single film he directed and help form their own identity. And it works so wonderfully well even after almost 30 years. Grade: A

Laputa: Castle in the Sky(1986): In 1985, along with fellow animator Isao Takahata(who later went on to direct wonderful and heart wrenching Grave of the Fireflies(1988)) and producer Yasuyoshi Tokuma, he started his own animation production company, Studio Ghibli. Castle in the Sky became the first film produced under that banner. If you ask me to pick a film to introduce someone to Miyazaki and Ghibli, I will pick this one. It is very sweet, easy to get into and unlike some other films, is not too dark or violent but still leaves you with a great message. There is something wonderful about Sheeta and Pazu and their friendship that always warms my heart. In a typical Miyazaki fashion, these are kids wise beyond their years but they haven’t lost their innocence. And that iron robot at the end is just the cherry on the top. As a matter of fact, this is my favourite film Miyazaki directed. One of the motifs of his films has always been morally ambiguous antagonist with various redeeming qualities. This is one of the only two films of Miyazaki to have a clear villainous character; other being The Castle of Cagliostro. Grade: A

My Neighbour Totoro(1988): Many of his other films might have been bigger critical or financial successes but I don’t think you can find a more beloved or popular character than Totoro in this film. Most of his characters are inspired by the Japanese philosophy. Totoro, however, is created completely from his own imagination and is based on his own childhood experiences. Miyazaki also created Cat bus for this movie which I am quite sure is more popular than some of his movies. Another character that I dearly love is Mei; she is just the cutest little thing you will ever see. Unfortunately, I don’t have the highest opinion of the film in general as I think it gets a little too sweet after a while but I am eagerly waiting for an opportunity to introduce this film to my 4-year old niece. However I will agree that the darkness of this film is deceptive, very well hidden under all the cuteness and can point to more serious themes if you want to look at it that way. Grade: B+

Kiki’s Delivery Service(1989): Another film that can serve as a good entry point for Ghibli newbie’s is this coming-of-age story of a young girl about developing her confidence but is little lighter and less ambitious than Laputa. However let me tell you that of his ‘lighter works’(Totoro, Kiki, Ponyo and maybe even Porco Rosso), I like Kiki the most. In yet another typical Miyazaki way, plot of his film itself is principle point of attraction – a 13-year-old girl has to leave her house and spend one year away as a mandatory part of her witch training before becoming a full-fledged witch. That just gets me instantly interested and I haven’t even mentioned Jiji yet. If not for last 15-20 minutes of this movie; where I think it loses its focus a little in an attempt to give Kiki one final, big task before she can pass her test; I really like this film. Miyazaki’s father was the director of Miyazaki Airplanes which produced rudders for the fighter planes during World War II. Miyazaki seems to have developed quite a fascination for aviation since his early years as it features quite prominently, in some form or the other, in many of his films including Kiki flying on her broom. Grade: B+

Porco Rosso(1992): Miyazaki also wrote every single one of the films he directed and in many cases also created Manga strips for them. Porco Rosso is one such film. In many ways, even this is quite a deviation from what we have come to expect from Miyazaki movies. Even though Fio can fit as a typical Miyazaki heroine, protagonist of this film is not a young female – Fio - but an adult male – Porco , a WWI pilot in 1930’s Italy transformed into an anthropomorphic pig who now works as a bounty hunter. It also lacks the usual environmentalist tone of his films and is more about the code of honour. Once again, it is the final few minutes of this movie – the duel between Porco and Curtis – that diminish my overall opinion of it. Grade: B-

Princess Mononoke(1997): This film has a distinction of introducing Miyazaki to the western world. I don’t belong to that world anymore but it was my introduction to him and to Ghibli as well; a start of love affair that has lasted since. I haven’t even mentioned the best thing about Miyazaki’s films that make them dearer to me than many other modern animated movies and that is they are traditionally animated. Even though this was the first film that Miyazaki used some kind of CGI for, he is believed to have drawn 80,000 drawings for this film himself. There is something about those drawings that makes them so much more relatable and personal and I love that way more than CGI. Mononoke is no doubt a great film with amazing characters and wonderful message; a natural double feature with Nausicaa but it is also much darker, more violent(one aspect of anime films that I am not most fond of though I will have more to say about it a little later). It also is the first animated film to win the Japanese Academy Awards and was the highest grossing film ever in Japan then. Grade: A-

Spirited Away(2001): I watched both Princess Mononoke and Spirited Away in pretty quick succession back in 2010 and that 1-2 punch quite literally knocked me. I really hoped to re-watch both before this post as I haven’t seen them since but unfortunately, couldn’t fit it in. To tell you the truth, I don’t remember every single detail of either of the film but I definitely remember liking this one better than the former. The fact that I can remember this way more than Mononoke even after watching both in quick succession also supports my claim. I am usually an advocate of making a little denser, intelligent kids film and majority of Miyazaki’s films are perfect example and off course, the hand-drawn animations in it make them more likable to me. Phenomenal financial success of this film also indicated that even people are ready to embrace them. Spirited Away not only promptly became the highest grossing Japanese film then and is his most financially successful film to date but went ahead and also became first anime film ever to win an Oscar for the best animated film. Grade: A

Howl’s Moving Castle(2004): Miyazaki came out of his second semi-retirement after the original director of this film, Mamoru Hosoda, passed away suddenly to make most violent movie from his filmography but also earned his second nomination for the Best Animated Film of the year. I have noticed it on various occasions that, mainly in anime movies, I am turned off by excessively violence because most of them tend to lose their focus once all the fighting ensues. Maybe it’s my Ghibli-toned sensitivities that play major part in it but many people consider Akira(1988) as one of the best anime movies ever and I really couldn’t get into that movie. Same thing happened with Paprika(2006) when things start getting stranger and stranger. I will say that Howl wasn’t that bad an experience but I wasn’t much emamoured by all the destruction in it either. Grade: B

Ponyo(2008): After Porco and Cagliostro, this is Miyazaki's third film with Male lead. This is my least favourite of all his films and unfortunately not because one of them had to be. I actually found it to be quite childish, something I never thought I will say about a Miyazaki film. I liked Sosuke enough and his house on the cliff was amazing but I really couldn't get into it once the effects of Ponyo's metamorphosis start materializing. It goes without saying that I am really excited for The Wind Rises(2013) but I am happy that he is directing it because I really don't want his last film to be my least favourite film. I really hope I like it too. Grade: C

Woody Allen
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